Friday, 6 February 2026

Guest Post on Reconstructive work on ancient remains by Gloria Nusse



Now i don't often get the chance to pick the brains of people like Gloria Nusse who do such fascinating things such as facial reconstruction so when i had the opportunity to not only read her book but ask her about her work reconstructing ancient remains i jumped at the chance. And now i get to share that with all of you! As someone who has an obsession with Ancient Egypt  i love the idea that we could look into the faces of the pharaohs and others whom we've found the tombs and mummies of and see them as close to how others would have seen them when they were alive.
Thank you again to Partners In Crime book tours and Gloria Nusse for having me on this tour and sending me a copy of this fascinating book to read.

Guest Post on reconstructing ancient remains

 

The hard part of ancient remains is the condition of the remains, such

as if they are damaged and incomplete. So choosing which remains

can be reconstructed is a large part of the process.

Then the condition of the remains dictates how the reconstruction can

be started. Meaning are the remains going to be scanned and 3-D

printed, or can a mold be made or do the remains need to only

duplicated in clay by the artist. All of these methods will affect the

reconstruction. For the Bahrain reconstructions they were scanned

and 3-d printed. The young boy was missing half o the facial bones so

those were duplicated in the scan and flipped. This changed the

natural asymmetry of the face. I had to recreate what I could using

the cranium and the mandible. For the old man we scanned and

printed each fragment of the skull and then reassembled the pieces

after. I thin the later method created a more natural asymmetry.

Then I used the oldest tissue depth data I had from the 1800’s.I also

took care with what could be learned from the teeth as this reflects

diet and lifestyle. I also researched hairstyles and clothing of 4000

years ago using painting, carvings and Egyptian cylinder seals and

hieroglyphs of that era. This gave me cultural context. I spent a lot of

time on this part.

I also checked myself using current populations of Bahrain men for

general hair texture, facial structure and facial expression. The young

boy was harder as the data was for adults so I had to regress him in

age. I made a notebook of all my research on the figures and their

lifestyle in order to get a feel for life at that time. I especially wanted

to know how they made cloth for clothing. I bought raw silk to

replicate this. I consulted with several archeologists, anthropologists

and visited the ancient history study department library at Berkeley.